As with her other projects, Busse’s exhibition Secretary of the Invisible records what lies hidden and out-of-view, and grounds these things in the material force of images. Her photographs and moving-images digest cycles of organic growth and death, the production and consumption of power, and the mechanisms of energy distribution — both fabricated and naturally occurring. There is a suggestion of an excess of materials: the blood, sweat and tears of the body, the tailings and waste from large-scale infrastructural projects — all traces of labor, love, and lived life.