Born of a Haitian mother and a Breton father, Gaëlle Choisne addresses the difficult transmission of a story marked by the ravages of the Duvalier dictatorship. The subject of her work: the vestiges of colonialism (universal exhibitions, gardens, greenhouses, architecture) and the incarnations of its continuum (merchandise and commodities, extractivist practices, vernacular survivors, and globalized cultures) at the time of the sixth mass extinction.