Clementine Keith-Roach (b. 1984) creates detailed and uncanny sculptures that blur the boundaries between object and body, skin and worked surface. Using the casting process, she petrifies familiar things and transforms them into new chimeras, bringing out the strangeness of the everyday.

Selected exhibitions include store front: Full Haus: The Seeld Library at MOCA, Los Angeles, USA (2018); Mademoiselle at Centre Regional D’art Contemporain (CRAC), France (2018); ARCHEOLOGI at The Villa Lontana, Rome (2018); and Herm in collaboration with Edizione Precarie at Pervilion, Italy (2018). Keith-Roach recently curated the group exhibition Interiority at Hunter Harrison, London. She is also an editor of Effects, a journal of art, poetry and essays.