Larry Achiampong's solo and collaborative projects employ film, still imagery, aural and visual archives, live performance, objects and sound to explore ideas surrounding class, gender, cross-cultural and post-digital identity. With works that examine his communal and personal heritage – in particular, the intersection between Popular culture and the post-colonial position, Achiampong crate-digs the vaults of history. These investigations examine constructions of ‘the self’ by splicing the audible and visual materials of personal and interpersonal archives, offering multiple perspectives that reveal the deeply entrenched inequalities in contemporary society.