Vivian Caccuri uses sound as the vehicle to cross experiments in sensory perception with issues related to history and social conditioning. Through objects, installations, and performances, her pieces create situations that disorient everyday experience and, by extension, disrupt meanings and narratives seemingly as ingrained as the cognitive structure itself. She wrote her first book “Music is What I Make” (2012), published in Brazil and awarded by Funarte Prize of Critical Production in Music in 2013. Recently, Vivian released her first vinyl record, composed and produced at the Studio Acusticum conservatorium in North Sweden and her second book, a compilation of texts about sound in Brazilian Art, published by Bloomsbury NYC.